Gündem Kararması AGENDA BLACKOUT

"KENDİNE AİT BİR ODA" + ATILKUNST "AJANDA 2009 " // "A ROOM OF ONE'S OWN" + ATILKUNST "AGENDA 2009" // OUTLET

Açılış // Opening: 12 Ocak // January 18:30-20:30
Sergi // Exhibition: 13 Ocak // January - 20 Şubat // February
Sergi Saatleri // Visiting Hours: Salı-Cumartesi 10.00-18.30 //
Tuesday-Saturday 10.00-18.30

OUTLET
Boğazkesen Cad. Kadirler Yok. No:69
Tophane-İstanbul

Gündem Egzersizleri (25 Aralık 2009 - 30 Ocak 2010 // Mtaär)

Gündem Egzersizleri (25 Aralık 2009 - 30 Ocak 2010 // Mtaär)

ATIL KUNST : Gündem Egzersizleri

(25 Aralık 2009 - 30 Ocak 2010 // Mtaär)

Atıl Kunst'un ''Gündem Egzersizleri'' başlıklı yeni çalışması 25 Aralık'tan itibaren Mtaär'da!

Açılış : 25 Aralık 2009 Cuma / 19:00 / Mtaär

Doog (Performans)

Gündem Egzersizleri PROSPEKTÜSÜ

FORMÜLÜ:
Ortalama dokuz saniyede bir ‘TA TA TATATA TATA TATA TA’ ya kol, kafa ve ayak uydurulan egzersizler içermektedir.

ÖZELLİKLERİ:
Gündemin yıpratıcı semptomlarının giderilmesinde kullanılan bir kombinasyondur. Vatandaşın evden geç faza katılımını inhibe etmez. Diğer medya kanallarını inhibe eder. Bileşimde bulunan tekrarlar ağrı giderici ve harareti meneden ajandır.
İnce motoru açılmış her şahıs gündemegzersizlerini uygulayabilir. Hızlı ve koordineli hareketleri yapmaktan daha karmaşık teknik yeti gerektirmemektedir.

SOSYAL ENDİKASYONLARI:
Gündemegzersizleri süresine vatandaşın sosyal durumuna göre kendi ya da ‘devletinin milleti’nin karar vermesi gerekmektedir.

UYARILAR VE ÖNLEMLER:
Tepkime şiddetleneceğinden kişiler, kendilerinin egzersizlere cevap verme düzeylerini tayin edebilecek hale gelene kadar devam etmeli ve makine çalıştırmamalıdırlar. Şiddet potansiyeli olup olmadığı hakkında yeterli bilgi bulunmamaktadır. İnsan değeri üzerinde etkileriyle ilgili hiçbir bilgi bulunmamaktadır. Yaşlılarda kullanımına ilişkin spesifik bir çalışma yoktur. Deneyimler yaşlılar için normal erişkin gündemegzersizlerinin uygun olduğunu göstermesine rağmen fonksiyonlarının izlenmesi önerilir. Muhtemel riskler dengelenmek şartıyla hareketlerin kullanımına karar verilmelidir.

fotoğraf: Sevil Tunaboylu

ATIL KUNST : Agenda Exercises

(December 25th 2009 - January 30th 2010 // Mtaär)

Atıl Kunst's new project, ''Agenda Exercises'' is showing at Mtaär beginning from December 25th!

Opening : December 25th 2009 Friday / 19:00 / Mtaär

Doog (Performance)

Agenda Exercises PROSPECTUS

INFORMATION LEAFLET:
Please read this leaflet carefully before you start. It contains one exercise with hand, head and feet coordinated to ‘TA TA TATATA TATA TATA TA’ in every 9 seconds in avarage.

WHAT İS THE AGENDAEXERCISES ARE USED FOR:
It is a combination that helps relieve the symptoms of burdensome effects of agenda. It does not inhibit participation of fellow citizen in the late phase. It does inhibit other mass media channels. The Action replay inside the composite is the agent to disable pain and fever.
Anybody who has open fine motor skills can perform agendaexercises.

SOCIAL INDICATIONS:
The term of use for agendaexercises must have been determined by the fellow citizen or other fellow citizen of the nation.

WARNING:
When the reaction intensifies users has to go on till they can judge their reactions to the exercises and should not drive and operate machinery. There is no enough information on the agendaexercises’ violence potential. There is no inquiry of their effect on human value. There is no specific research on utilization of senior citizens. Even though experiences says that for senior citizens the normal adult agendaexercises is suitable the functions should be monitored. The use of exercises should be decided in condition of balance the possible risks.

Istanbul Next Wave /Akademie der Künste, Pariser Platz /12.11.09.-03.01.10/

http://artcitizens.net/blog/list/id/208

http://www.adk.de/istanbul_next_wave/Kuenstler.htm

Istanbul Modern Berlin Martin-Gropius-Bau

Haluk Akakçe, 1970
Erol Akyavaş, 1932 – 1999
Özdemir Altan, 1931
Avni Arbas, (1919 – 2003)
Hale Asaf, 1905/1906 – 1938
Ferruh Başağa, 1914
Bedri Baykam, 1957
Ramazan Bayrakoglu, 1966
Aliye Berger, 1903 – 1974
Nurullah Berk, 1906 – 1982
Sabri Berkel, 1907 – 1993
Semiha Berksoy, 1910 – 2004
Bubi, 1956
Cihat Burak, 1915 - 1994
Ibrahim Çalli, 1882 – 1960
Ali Avni Celebi, 1904 – 1933
Taner Ceylan, 1967
Adnan Çoker, 1927
Cevat Dereli, 1900 – 1989
Nejat Melih Devrim, 1923 – 1995
Ismet Dogan, 1957
Burhan Doğançay, 1929
Feyhaman Duran, 1886 – 1970
Ayşe Erkmen, 1949
İnci Eviner, 1956
Bedri Rahmi Eyüboğlu, 1911 – 1975
Leyla Gediz, 1974-
Hamit Görele, 1894 – 1981
Mehmet Güleryüz, 1938-
Nedim Günsür, 1924 – 1994
Nazmi Ziya Güran, 1881 – 1937
Mustafa Horasan, 1965
Balkan Naci İslimyeli, 1947
Doğan İsmet, 1957
Ergin İnan, 1943
Nuri İyem, 1915 – 2005
Zeki Faik İzer, 1905 – 1988
Gülsün Karamustafa, 1946
Zeki Kocamemi, 1900-1959
Temür Köran, 1960
Komet, 1941
İrfan Önürmen, 1958
Erkan Özgen, 1971
Şener Özmen, 1971
Hikmet Onat, 1882 – 1977
Ahmet Oran, 1957
Mübin Orhon, 1924 – 1981
Mustafa Pancar, 1964
Orhan Peker, 1926 - 1978
Sarkis, 1938
Yusuf Taktak, 1951
Hale Tenger, 1960
Cemal Tollu, 1899 -1968
Canan Tolon, 1955
Selim Turan, 1915 – 1994
Ömer Uluç, 1931
Adnan Varinca, 1918
Nil Yalter, 1938
Pınar Yolaçan, 1981
Fahrelnissa Zeid, 1901 – 1991

Boden unter meine Füßen, nicht den Himmel Akademie der Künste, Pariser Platz

Yeşim Ağaoğlu
Gülçin Aksoy, 1965
Nancy Atakan, 1946
Atıl Kunst
Nazan Azeri, 1953
Handan Börüteçene, 1957
Ipek Duben, 1941
Nezaket Ekici, 1970
Gözde İlkin, 1981
Gül Ilgaz, 1962
Cemile Kaptan, 1977
Şükran Moral, 1962
Nazlı Eda Noyan, 1974
Neriman Polat, 1968
Necla Rüzgar, 1972
Gülay Semercioğlu, 1968
Nalan Yırtmaç, 1969

Sechs Positionen kritischer Kunst aus Istanbul Akademie der Künste, Hanseatenweg

Halil Altındere, 1971
Bedri Baykam, 1957
Altan Gürman, (1935 – 1976)
Balkan Naci İslimyeli, 1947
Şükran Moral, 1962
İrfan Önürmen, 1958

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Gleichzeitigkeit – Parallelen – Gegensätze
Moderne und zeitgenössische Kunst aus Istanbul
Im Rahmen der 20jährigen Städtepartnerschaft Berlin-Istanbul

Ein Projekt der Stadt Istanbul und der Akademie der Künste in Kooperation mit Kulturprojekte Berlin

Gefördert durch die Stiftung Deutsche Klassenlotterie Berlin
Kuratorenteam: Çetin Güzelhan (Leitender Kurator) zusammen mit Beral Madra (Boden unter meinen Füßen, nicht den Himmel), Levent Çalוkoğlu (Istanbul Modern Berlin), Johannes Odenthal (Sechs Positionen kritischer Kunst aus Istanbul)

11.11.09 Eröffnung

12.11.2009 - 17.01.2010
Martin-Gropius-Bau
Istanbul Modern Berlin
Arbeiten von 1928 bis 2008 aus der Sammlung des Istanbul Modern

12.11.2009 - 03.01.2010
Akademie der Künste, Pariser Platz
Boden unter meinen Füßen, nicht den Himmel
Siebzehn Künstlerinnen aus Istanbul

12.11.2009 - 17.01.2010
Akademie der Künste, Hanseatenweg
Sechs Positionen kritischer Kunst aus Istanbul

Kurzinformation

Istanbul ist das Kraftwerk der zeitgenössischen türkischen Kunst. Mit der Gründung neuer Museen, der Biennale und einer explosionsartig wachsenden Künstlerszene ist Istanbul auch zu einem der Brennpunkte der internationalen Kunst avanciert. Aus Anlass der 20jährigen Städtepartnerschaft zwischen Istanbul und Berlin macht die Akademie der Künste diese aktuelle Kunstszene zu ihrem Programmschwerpunkt. Das türkische Kuratorenteam unter der Leitung von Çetin Güzelhan ermöglicht dabei einen neuen Blick auf eine wenig bekannte, aber sehr vielschichtige Kunstszene des 20. Jahrhunderts. Arbeiten von über 100 Künstlern – Malerei, Materialcollagen, Fotoarbeiten, Medienkunst, Installationen, Objektkunst verschiedenster Techniken und Texturen – rücken die türkische Kunst mit ihrem urbanen Zentrum Istanbul in eine neue Perspektive jenseits der überkommenen Vorurteile einer "verspäteten Moderne".

Das gemeinsame Projekt der Stadt Istanbul und der Akademie der Künste umfasst drei Ausstellungen, die in den Akademie-Häusern am Pariser Platz und am Hanseatenweg sowie im Martin-Gropius-Bau zu sehen sind. "Istanbul Next Wave" ist der Höhepunkt der Berliner Veranstaltungen zum 20. Jubiläumsjahr der Städtepartnerschaft Berlin-Istanbul und erster internationaler Auftakt des Programms, mit dem sich Istanbul 2010 als europäische Kulturhauptstadt in Zusammenarbeit mit Kültür A.S. präsentiert.

Open Studio Day/Platform Garanti 5th floor, Studio 3

Saturday, November 07
1 p.m.-6 p.m.

http://platformgarantilinks.blogspot.com/

Platform Garanti CAC hosts an open studio day to share the work of current Istanbul Residency Program artists: Jesper Alvaer, Vangelis Vlahos, Witte van Hulzen & Sander Breure, Francesco Mattuzzi, Kalle Brolin, İnci Furni, Barbara Musil, Atılkunst, Soren Thilo Funder, and Sofie van der Linden.

Atılkunst
Platform Garanti 5th floor, Studio 3
4:30 p.m.-4:50 p.m.

Atılkunst will present a new video work titled “Agenda Exercises”. They will also make a sticker intervention on a daily newspaper.

Atılkunst is an artist collective run by three women artists since 2006. The main activity of Atılkunst focuses on current events, and the agendas of the day. They send out one e-mail every week with the subject “Surplus of Agenda”, consisting of one image called “Decal” which is inspired by political topics that have been raised throughout that week.

Can I offer you something?

In Summer time we hang 'Mahya' in between the towers of Bethanien. At the begining for what to say we had this phrase in our minds: 'Can I offer you something?'
Finally we decided to with lights ' Sadede Gel'-'Get to the point'. Nowadays new mahya are lightened and turned off. With the nationalistic and highly political connotations they fired a serious of discussions in national media. (You can see few newspaper clippings above with bold title as: 'Happy is the man who says I am Turk', 'And the mahya is turned off'', Mahya is left without defense'. Those Mahyas which became the issuse of political agenda are listed as ' We are grateful to our army', 'National unity is fundamental'. One of the authorities made a mark as: 'I can not stand any discussion that will built on mosques. All assessments are personal comments.). Somebody wants to light those Mahyas as they are. So we wanted to ask. Why did you write them on the air in the sky? If only you would write 'Can I offer you something?'